I’m deeply filled with graduated for the abundance of love I receive from my family. The family influence appears in my art in various ways. Recently family emerged in a sculptural pyramid form that I call, ‘Ancestor Pyramid’. Looking at the final result from this creative process, the rotating pyramid, I feel a sense of peace in having built something to honor family.
“To the world you may be one person; but to one person you may be the world.” ― Dr. Seuss
After a creative process has come to an end I have the chance to look at the resulting object and reflect on it’s meaning. Despite the seeming randomness of the creative choices the final image does speak, in a visual language, and becomes fun to dialog with. The elements I look at in image are kind of based on the 5 senses and include; color, shape, movement, texture, and sound – to name a few. I also go through a process of association, amplification, and animation (depth psychology terms) to find deeper connections in the work.
In this sculpture I have a ton of personal associations with the image – because in has literal plaster casts of the faces of the 4 people in my birth family. I used my association with each person to select images out of magazines and collage a side of the pyramid to reflect those qualities. For example, my mom likes to garden, so I put images of the garden on her section of the pyramid.
Along the process I also started amplify the image. I went beyond the personal and started to see family in the context of myth and story. Family of 4, with 2 women and 2 men, as mother, father, daughter and son. We are father and daughter. We are mother and son. We are mother and daughter. We are father and son. We are brother and sister. I selected images for the pyramid that expressed these qualities, for example I took images of a little boy for by bothers side of the pyramid as ‘son’ despite the fact that he is in his 30’s now.
The animation came in looking at the image and in noticing the ideas that emerge from my imagination. Working with the paster cast faces of family members was incredibly powerful for activating my imagination. While painting my mother’s plaster face I could hear her voice in my head. In the beginning of the process I had no idea how the face casts were going to be displayed. The decision to combine them into a pyramid was, in part, due to the imaginal dialog I had with all 4 of the plaster faces. They seemed most content and safe when placed inside the pyramid shape.